Split into two halves, the first section of “Maggot Brain” reads like a eulogy. “Maggot Brain” begins with a disarming spoken word introduction followed by ten minutes of the most soulful guitar work I had ever heard.or have ever heard. I’d barely dipped my toe in the water of psychedelia, and even less in instrumental music… which explains why this song felt so revelatory when I’d first experienced it. I first heard “ Maggot Brain” in middle school knowing nothing of George Clinton, Parlament-Funkadelic, or even rock as a whole for that matter. To this day, “Sunday Candy” still has the power to make my day a little bit better merely by its presence. My first listen of the song left me breathless, tearful, and overjoyed. These expressions of love are all wrapped around a sunny, infectious chorus courtesy of Jamila Woods that radiates with happiness and a vibrant zeal for life. As my first listen came to a close, the record began to wrap up with the penultimate “ Sunday Candy,” a bright and loving gospel track that finds Chance reminiscing about his grandmother’s role in his life. The record is a joyous, warm, and creative outpouring that’s filled to the brim with collaborative spirit. Surf wasn’t quite the Acid-Rap follow-up I was expecting, but it ended up being a release I enjoyed nonetheless. I downloaded the album, grabbed a couple of hard ciders, and spent the evening in my backyard listening to Surf on a night that was just warm enough to enjoy without a jacket. Making sure to savor every ounce of this new release, I wanted to ensure my first listen was special. Released under the name “Donnie Trumpet & The Social Experiment,” Surf was a collaborative project that combined the artistic powers of Chance The Rapper, trumpeter Nico Segal, and a host of other Chicago musicians. Suddenly on a late May evening in 2015, an album called Surf was uploaded to iTunes for free. Two years after Acid Rap had cemented itself in my life, I was eagerly waiting to see what Chance the Rapper would do next. While that playlist still receives some regular updates, the top 15 or so haven’t changed in a number of years, so I figured why not highlight all of these tracks in one place to celebrate the site’s recent milestone? Without further adieu, I’m excited to share my 15 favorite songs of all time. My desktop has a 100+ song playlist of my favorite songs all meticulously organized, ordered, and ranked. Instead, I’ve decided I’m going to do a write-up on something straightforward but important: my favorite songs of all time. This January I celebrated all of the site’s recent achievements, and of course, the Favorites page has an ongoing list of our best articles, so I didn’t really want to focus on the blog from either of those perspectives. I’ve got dozens of different ideas for articles jotted down in digital notes across various devices, but it felt ingenuine to put up “just another” write-up as my one-hundredth post. The song itself is a gentle, pretty piece of psychedelia, and it has Coyne imagining a utopian pastoral version of Jurassic Park: “I wish the dinosaurs were still here now/ It’d be fun to see them playing on the mountains.” Check it out below.With this post, Swim Into The Sound has officially reached 100 articles! I’ll admit between the dreary weather and burnout at work I’ve felt less than inspired to post here regularly this year, however 100 blog posts is a big deal, and I wanted to make sure that I did it justice. (They’d already shared the early singles “ My Religion Is You” and the Kacey Musgraves collab “ Flowers Of Neptune 6.”) Wayne Coyne directed the “Dinosaurs On The Mountain” video with longtime collaborator George Salisbury, and the clip seems to come from the same video shoot as that Colbert performance. They’ve just shared their video for “Dinosaurs On The Mountain,” the latest single from their forthcoming LP American Head. Today, the Flaming Lips have offered up another image of that quarantine-bubble live show. And it seems a whole lot more sustainable than the total lack of crowd-protection measures that Donald Trump had in place in his recent video to the Lips’ home state of Oklahoma. This doesn’t seem like a very practical idea, but it’s at least more fun than some of the other live-show social-distancing ideas out there. The Lips played their classic 1999 song “Race For The Prize” in front of an actual audience - something made possible because both the band members and the people in the crowd were in those giant plastic bubbles that Lips frontman Wayne Coyne has been using in live shows for years. Last month, the Flaming Lips appeared as musical guests on Colbert, and they had a pretty slick way of doing it.
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